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Download Smart Converter for macOS 10.13 or later and enjoy it on your Mac. ‎Smart Converter is the fastest, easiest to use video converter on the App Store, thanks to it's Smart Conversion technology. Smart Converter handles 100s of file types and converts so they play on your favourite devices. It will also add your converted file to iTunes. Smart Converter is the fastest, easiest to use video converter on the App Store, thanks to it's Smart Conversion technology. Smart Converter handles 100s of file types and converts so they play on your favourite devices. It will also add your converted file to iTunes automatically.

If you are having troubles working with Alexa ProRes and Arriraw footage in Avid Media Composer, you may wish to read this post. It explains a workaround to transcode Arri Alexa footage to DNxHD files for editing in Avid system with optimum performance.
Looking for a smooth Alexa workflow in Avid
“Hi, guys, I have captured 2880 x 1620 recordings in ARRIRAW format using Arri Alexa camera. I’ve never edited Alexa files before so I’m stuck working with Alexa footage in Avid MC7. Does anyone know a smooth workflow to go through? Thanks everybody for your patience and help!!!”

The Arri Alexa camera shoots both QuickTime ProRes and Arriraw footage. Many users can’t handle Alexa ProRes and Arriraw files in Avid Media Composer and do file conversions to make DNxHD .mov files for their projects. It is true that this method does take a little longer, since it requires converting the Alexa footage to another format. However, this method will help speed the editing process a bit.

This will be especially helpful if you are stuck using an older desktop or laptop with weak processor and a small amount of RAM. Check a quick guide on how to encode Alexa ProRes and Arriraw shootings to DNxHD .mov for Avid Media Composer.

Here’s what you need
HD Video Converter
You can download a demo version (for both, Mac and Windows) to have a try. They are not free but it is totally worth it.

[Guide] How to convert Alexa ProRes and Arriraw footage to DNxHD for Avid system?

The steps:
Step 1: Start up HD Video Converter as an Alexa Video Converter for Avid. When its main interface pops up, click ‘Add File’ to input your source media.

Step 2: Choose output format for Avid MC
From ‘Profile’ list, select ‘Avid DNxHD (*.mov)’ as output format under ‘Avid Media Composer’ column.
Important: If you’ve loaded a number of video clips to do batch conversion, please do remember ticking off ‘Apply to All’ option before you start.

Step 3: Custom video and audio settings
If necessary, you can click ‘Settings’ button and go to ‘Profiles Settings’ panel to modify video and audio settings like video encoder, resolution, video bit rate, frame rate, aspect ratio, audio encoder, sample rate, audio bit rate, and audio channels. 3D settings are also available.

Step 4: Start Alexa ProRes and Arriraw footage to DNxHD MOV Conversion
When ready, click ‘Convert’ to start format conversion. As soon as the conversion is complete, you can click ‘Open Folder’ button to get the exported DNxHD MOV files for use in Avid apps with optimum performance.

Related posts
XAVC (S) and Avid – work with XAVC (S) MXF/MP4 files in Avid
AVCHD and Avid – Transcode AVCHD to DNxHD for Avid import
How can I import MXF footage into Avid Media Composer?
What’s the best workflow between Sony PMW-EX3 and Avid MC?

ARRIRAW Converter 3.0 Tutorials

This screencast series explains the new functions and features of the ARRIRAWConverter 3.0 and also gives a general overview of the software. To watch a screencast, please click on the link.

Introduction

1 – ARC3: Introduction to the ARC3 Screencast
Introduces the new ARRIRAWConverter 3.0 Screencast series that provides video tutorials for all aspects and features of the software.

2 – ARC3: Installation & Quick Look Plugin for Mac OS
Shows the entire installation process of the ARRIRAWConverter 3.0 and introduces the ARRIRAW Quick Look Plugin for Mac OS Finder.

3 – ARC3: Workflow Demonstration
Basic workflow demonstration for working with ARRIRAW files in the ARRIRAWConverter 3.0 (BROWSE — VIEW — RENDER).

Working in the BROWSE room

4.1 – ARC3: BROWSE Room Overview
Explains the main concepts of the BROWSE room.

4.2 – ARC3: Keyboard Shortcuts
Shows where to find the keyboard shortcut dialog in the ARRIRAWConverter 3.0 and keyboard shortcuts in the tooltip of GUI elements.

4.3 – ARC3: List & Preview Modes for Clips
Clips can be displayed by their name or as a preview image. This screencast explains how to toggle between these two modes.

4.4 – ARC3: Setting The Home Directory
The “Home” directory is a convenience folder in the BROWSE room and can be set in the ARRIRAWConverter’s Preferences dialog.

4.5 – ARC3: Add Clips to the Project Files Tree (1)
Explains some possibilities to add clips and their folders from the File System area into the Project Files area in the BROWSE room via Drag&Drop.

4.6 – ARC3: Add Clips to the Project Files Tree (2)
Explains some possibilities to add clips and their folders from the File System area into the Project Files area in the BROWSE room via double-click or keyboard shortcuts.

4.7 – ARC3: Reveal in Finder for Clips and Folders
Demonstrates how to open a Mac OS Finder window showing the selected Clip or Folder in ARC3.

4.8 – ARC3: Check for Offline Clips
Demonstrates how to relink files that are stored in a new location and therefore cannot be found in an old ARC3 project.

4.9 – ARC3: Convenience Function “Refresh and Open”
Explains the convenience function “Refresh and Open” that allows to update a selected folder and all its subfolders.

4.10 – ARC3: Hover Scrubbing
Demonstrates how to use the Hover Scrubbing feature in ARC3.

Working in the VIEW room

5.1 – ARC3: VIEW Room Overview
Introduces the VIEW room and explains the main function of the different areas, panels and toolbars.

5.2 – ARC3: Clip and Sequence Timeline
Explains the difference between the timeline that is shown if a single clip is selected and the timeline that is shown if a sequence is selected.

5.3 – ARC3: Timeline Toolbar
Demonstrates main functions of the timeline toolbar such as setting IN and OUT points.

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5.4 – ARC3: Playback Loop Modes
Shows the toggle function of the Playback Loop Mode button with the three loop modes “Sequence Loop”, “Clip Loop” and “No Loop”.

5.5 – ARC3: Playback Speed
Demomstrates the speed control GUI element available in the timeline area.

5.6 – ARC3: Fast Forward
Explains how Fast Forward works in ARC3 (dropping of frames).

5.7 – ARC3: Duration Display Formats
Demonstrates how to set different duration formats in the timeline for clips and sequences.

5.8 – ARC3: Clip Timecode Formats
Demonstrates how to change between different time code and frame count formats.

5.9 – ARC3: Screen Modes
Demonstrates how to hide panels in the VIEW room and how to enter the two full-screen modes.

5.10 – ARC3: Zooming and Panning
Explains the zoom and panning functions in the normal and full screen modes (including keyboard shortcuts).

5.11 – ARC3: Color Space & Look Buttons
Introduces the Color Space quick access buttons and the Look button in the viewing toolbar.

5.12 – ARC3: Detailed Pixel Information
Demonstrates how to activate the pixel picker that provides detailed pixel information for a particular pixel in the viewing area.

5.13 – ARC3: Snapshots
Explains the snapshot functionality and the related configuration possibilities.

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5.14 – ARC3: Metadata Panel
Demonstrates how to open the Metadata Panel in the VIEW room.

5.15 – ARC3: Viewer Settings
Explains the influence of Viewer Settings for viewing and rendering ARRIRAW clips.

5.16 – ARC3: Playback Proxy Modes
Shows the available playback proxy modes and explains the influence of the playback proxy mode in terms of quality and speed.

5.17 – ARC3: Clip Settings
Explains the influence of Clip Settings on viewing and rendering ARRIRAW clips.

5.18 – ARC3: Dot Settings
Explains the benefits of Dot Settings while working with the ARRIRAWConverter 3.0.

5.19 – ARC3: Clip Info Overlay
Explains the information shown in the Clip Info Overlay and demonstrates how to hide and unhide the overlay.

5.20 – ARC3: Using Sliders
Explains the non-obvious convenience functions of each slider in the ARRIRAWConverter 3.0.

5.21 – ARC3: Copy Clip Settings
Demonstrates how to copy clip settings and apply them to other clips.

5.22 – ARC3: Look Settings
Explains the different Look Settings available in the Clip Settings panel of the VIEW room. This also includes the export of a look file for the ALEXA camera.

5.23 – ARC3: Printer Lights and Color Wheel Details
Explains the influence of the Printer Lights parameters and explains the control concept of all color wheels.

5.24 – ARC3: Lift, Gamma and Gain
Explains the influence of the parameters Lift, Gamma and Gain on the look of an image.

5.25 – ARC3: Slope, Offset and Power
Explains that the look parameters Slope, Offset, and Power are directly related to Lift, Gamma and Gain and provides a short overview.

5.26 – ARC3: Save a Look as .xml File
Explains how to export a created look to an .xml file to use it in the ALEXA camera or use it for a render target in the ARRIRAWConverter 3.0.

Working in the RENDER room

6.1 – ARC3: RENDER Room Overview
Explains the main concepts of the RENDER room in the new ARRIRAWConverter 3.0 and introduces the main areas and panels of the GUI.

6.2 – ARC3: Render Targets
Explains how to set up render parameters for a render target.

6.3 – ARC3: Render Image File Formats
Gives an overview of the available image file formats that can be set for a render target.

6.4 – ARC3: Render Settings
Explains the influence of the Processing Version setting on the available DeBayer modes and shows the general render settings.

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6.5 – ARC3: Location and Naming
Explains the configuration options that you have to set up the path and file name in a render target.

6.6 – ARC3: Clip Settings Override
Explains how to override the original clip settings in the render process to e.g. use one look for all clips of a render queue.

6.7 – ARC3: Check Render Queue Integrity
Demonstrates the Integrity Check function that can be used prior to starting a long render process.

6.8 – ARC3: Render Clips
Explains how to render all clips of the render queue or one or more clips via context menu.

6.9 – ARC3: Render Metadata
Explains how to configure a render target that then creates a .csv metadata file in the render process.

6.10 – ARC3: Add Render Queues
Demonstrates how to create and use a new render queue.

7 – ARC3: User Pixel Masking
Explains the User Pixel Masking feature of the ARRIRAWConverter 3.0 that allows to mask impaired pixels in the render process or directly in the ALEXA camera.

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